![]() The deadline for submissions each week is midnight Friday. As always, submit through our Submittable portal. This is an effort to show how poets react and interact to the world in real time, and to enter into the broader public discourse. Poets RespondĪt least every Sunday we publish one poem online that has been written about a current event that took place the previous week. When using Submittable, please be sure to select the Tribute to Ghazals category. The deadline for this issue is January 15th.įor more information on future tributes, keep an eye on our call for submissions page. The poems may be any subject, style, or length, but must have been written as a collaboration between multiple poets. We’re currently seeking submissions of ghazals for our Summer 2024 issue. ![]() Each tribute gathers poems from a specific ethnic, vocational, stylistic, or social group. Our tributes are usually half-issues but sometimes comprise an entire issue. Your submissions keep us going, and we always appreciate them. Rattle publishes about 300 poems each year, and almost all of them come from unsolicited submissions. So while most magazines suggest reading their back issues to get a sense of what they like to publish, we’d suggest reading to get a sense of what we’re having trouble finding-if you notice a style or subject matter that we don’t seem to be publishing, send us that! Since our issues include about 70 pages of poetry, one of the main things we’re looking for is diversity we have enough room to be eclectic, and we plan on using it. We read a lot of poems, and only those that are unique, insightful, and musical stand out-regardless of style. We like both free verse and traditional forms-we try to publish a representative mix of what we receive. We’re looking for poems that move us, that might make us laugh or cry, or teach us something new. Send up to four poems (or pages of short poems) at a time. Please use Submittable’s online submission manager: Submittable is convenient for everyone, saving paper while allowing you to track the submission and ensuring that your poems will never get lost in the mail. Online contributors receive $100/poem.Īll free submissions are automatically considered for the annual Neil Postman Award for Metaphor, a $2,000 prize judged by the editors. ![]() We don’t publish anything without your signature, anyway if another journal beats us to the punch, congratulations!Ĭontributors in print receive $200/poem and a complimentary one-year subscription to the magazine. Simultaneous submissions are encouraged. If the work is accepted elsewhere, just send a message through submission on Submittable to let us know. to assist in the writing process, please explain in the notes to your submission. toward that aim in some cases, so if used A.I. Poetry is a tool for expanding the human spirit, which means poems should be written by humans. Rattle does not accept work that has been predominantly generated by artificial intelligence. ![]() For more on this, read “ Uncurated: The Case for a New Term of Art.” We want to be the first publisher to highlight the poems, but never want to discourage anyone from sharing their poems themselves. Rattle does not accept work that has been previously curated, in print or online-poems may be self-published on social media, blogs, or message boards, but cannot have been published in books, magazines, or similar collections open to the public. Submissions are open year-round, always welcomed, and always free. Rattle publishes unsolicited poetry, translations of poetry, and book reviews. A Plumber’s Guide to Light by Jesse Bertron.The Death of a Migrant Worker by Gil Arzola.I Will Pass Even to Acheron by Amanda Newell.Imago, Dei by Elizabeth Johnston Ambrose.Visiting Her in Queens … by Michael Mark.The Morning You Saw … by CooXooEii Black.Cheap Motels of My Youth by George Bilgere.“Fast Facts About Famous People” by Bruce Taylor.“Elegy for Tío Lazaro” by Isabella DeSendi.“Asteroids as Big as Skyscrapers” by Chera Hammons.
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